My First Algorave


On Saturday night I went to ‘Algorave Birmingham’, curated  by Antonio Roberts at Vivid Projects. I said I might write ‘a review’ but I’m not going to, because I wouldn’t know how. This is ‘a reaction’ – a digital feedback loop, an emission from the event horizon (should have worn my ‘Big Bang’ T-Shirt – the noughties Brum band, not the nerd show.)

My background is information technology. My current work is writing. I use the word ‘work’ in the artistic sense: something I spend my time on but may never get paid for. Themes recur. Are science and art actually different things? Is maths real or a model? Is software any different to magic, existing only outside the physical realm and communicating via intermediary objects?

Q: How much can you strip away from music and it still exist as an idea: melody, scales, pitch?

I came to Algorave via my functional programming experiments. I’m trying to learn Clojure, a member of the Lisp family of languages but with added time-travel. It messes with whether time is a wave or a set of discrete steps that can be retraced. Not real time, obviously but the model of time our software deals with. Time travel outside of the magical realm would be crazy-talk.

Dance music is often first. Drum machines. I got really frustrated the first time I saw how hard it was to programme beats. Where was the programmatic interface? Sampling, pitch-shifting, the ‘sound’ being manipulated by code. Digits being manipulated by digits, like the higher order functions of functional programming. I wondered a few weeks ago if processors had got fast enough to generate live noises. They have. A Raspberry Pi has http://sonic-pI From there I discovered Clojure has, via ‘Overtone’ on ‘SuperCollider’, which resonates with my theory of a super-massive idea colider to mash-up memes.

Algorave Birmingham presented live coders generating sound and visuals. At times I felt that the graphics were pulsing to the beats but I don’t know if that really happened. I saw two pixelated women on the screen typing on ‘real’ laptops and a live drummer on digital drums. Virtuality virtuosos. I had a chat about how to make a hit record and forgot the name of the Kaiser Chiefs but remembered Black Wire who were the first band with a drum machine that I actually liked, because it didn’t sound mechanical, then The Kills who insisted everything was analogue, but now I’m looping.

A: I enjoyed the pulsing white noise. Software can do things that aren’t possible in Reality.


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